Nikon D800

Features

Nikon's original technology

Image sensor

Nikon FX-format CMOS sensor with 36.3 effective megapixels

The D800/D800E render levels of texture, nuance and detail to your photography that, until now, have been the exclusive domain of the complicated medium-format system. Define every eyelash, every line in tree bark, and every shimmer of light. Savor the exceptional depth in your still images — with the combination of an astounding 36.3 effective megapixels, the world's highest*, and the outstanding performance of NIKKOR lenses, you can. Enlarge them as big as A1 poster-sized prints (59.4 x 84.1 cm/23.4 x 33.1 in.) at 200 dpi, or crop aggressively to reach the composition you desire, all without sacrificing the detail and tonal range of the original. In order to maintain clean, high-resolution images, 14-bit A/D conversion within the sensor and a high signal-to-noise ratio deliver phenomenal images in a diverse array of situations. The image sensor's incredible potential does not stop with photography, either. For cinematographers ready to put their exceptionally sharp NIKKOR lenses into action, the D800/D800E's 36.3 effective megapixel data is efficiently processed for exquisite 1080p broadcast quality video at 30p.

As of February 7, 2012, among interchangeable lens digital SLR cameras employing an image sensor of 35mm film size.

Standard ISO 100 to ISO 6400, range expandable to ISO 50 to 25600 equivalent

High-resolution, studio-quality images shouldn't be restricted to the studio. The D800/D800E set a new benchmark for high-resolution D-SLR cameras, with crisp clean images across a wide ISO range. Flexibility like this opens up new imaging opportunities for both still photographers and cinematographers alike during the "magic hour", the time just before dawn or at dusk when available light is often beautiful but scarce. Even at high ISO settings, the camera's intelligent noise reduction systems manage noise without sacrificing fine details, giving the D800/D800E the edge. The difference can even be seen in low-contrast subjects such as hair and grass textures, which are often essential elements of cinema as well as high-resolution portraits and landscape images. High image quality at higher ISOs also means that you can shoot still images handheld more confidently, knowing that fast shutter speeds will reduce blur.

A strategic approach to turn light to your advantage

Combining both high-resolution performance and a wide ISO sensitivity range has finally become a reality. Nikon engineers have developed intelligent new methods to manipulate light transmission to the sensor's photodiodes: from the optical low-pass filter and on-chip gapless micro lenses to the image sensor's internal design, every measure has been taken to maximize and improve light transmission in order to deliver crisp, brilliant images with significantly less noise. All this is possible under a wide variety of lighting conditions, enabling you to get the most out of your NIKKOR lenses.

Optical low-pass filter optimized for sharpness on the D800

Reducing false color and moiré is the main job of the optical low-pass filter located in front of the image sensor. However, this benefit is generally gained with a small sacrifice of sharpness. Moiré occurs in scenes containing repetitive details, such as strong vertical lines in architecture. Finding the right balance between benefits and sacrifices is the key to higher image quality, and that is what the D800's optical low-pass filter delivers. As a result, the astounding 36.3 megapixels unleash their potential through an optimized balance between sharpness and effectively prevented moiré and false color. Furthermore, the multi-layer structure of the D800 low-pass filter utilizes layers of antireflective coating that have been optimized for the camera, contributing to sharper and clearer images.

The ultimate attention to detail — the D800E

Nikon engineers have developed a unique alternative for those seeking the ultimate in definition. The D800E incorporates an optical filter with all the anti-aliasing properties removed in order to facilitate the sharpest images possible.

This is an ideal tool for photographers who can control light, distance and their subjects to the degree where they can mitigate the occurrence of moiré. Aside from the optical filter, all functions and features are the same as on the D800.

Note: The D800E carries an increased possibility that moiré and false color will appear, compared to the D800. IR cut and antireflective coating properties of the optical filter remain the same with both versions.

Functions of low-pass filter (OLPF)

The original light and light separated in horizontal direction with the low-pass filter 1 are transmitted through the low-pass filter 2 with the wavelengths unchanged. The original light is transmitted as it is, and light separated with the low-pass filter 1 changes only direction vertically (two points are maintained). By converting polarized light into circularly polarized light with the wave plate, two points are divided into four points.

With the D800, light passing through the lens that is separated in four segments using a low-pass filter is received by the image sensor. Because separation pitch of the low-pass filter is much shorter than that of the image sensor, moiré and false color reduction can be achieved with minimal deterioration of resolution.

By employing the optical glass, the original light and light separated in vertical direction with the low-pass filter 1 is transmitted through the low-pass filter 2 as non-polarized light with the same optical path length. The low-pass filter 2 changes the direction of separated light to the opposite side to revert to the original optical path, and the combined light is transmitted to the image sensor as a single point.

With the D800E, the effects of the low-pass filter is removed, and the light is received by the image sensor at a single point, achieving higher-resolution images with minimal blur.

-Comparison of resolution: D800/D800E have the same resolution of 36.3 megapixels

The D800E reproduces the texture of the stone pavement and twigs with higher resolution than the D800. It allows sharper rendering with depth.

Nikon Integrated Dust Reduction System that includes an Image Sensor Cleaning function

Any dust that reaches the image sensor results in unattractive spots on your images. To prevent this, the D800/D800E employ Nikon's Integrated Dust Reduction System, which includes a self-cleaning sensor unit with four different resonance frequencies to vibrate the optical low-pass filter and shake dust away from the sensor. This function can be set to operate automatically when the camera is turned on or off, or to manual.

EXPEED 3 image-processing engine: speed, versatility, and high performance

High-megapixel still images are detail-rich but data-heavy. With the D800/D800E, however, you don't have to sacrifice speed for this privilege. Dedicated to understanding speed and its role in image making, Nikon engineers designed a powerful EXPEED 3 image-processing engine exclusively for digital SLRs. From image processing and card recording to image playback and image transfer, EXPEED 3 manages massive amounts of data at faster speeds than EXPEED 2. Even with specialized processing features like Active D-Lighting and high ISO noise reduction, capture speed is not affected. EXPEED 3 is so powerful that it handles data-intensive tasks such as Full HD video recording at 30p with ease. You'll also notice the difference in your still images and videos through minimized noise and even richer colors and tones. In addition to these fundamental advantages, the D800/D800E reduce the kind of color phase shift that some cameras have difficulty with in similar situations.

14-bit A/D conversion and 16-bit image processing for rich tones and natural colors

Tonal gradation is where an image transforms from simply representing life to taking on a life of its own. The D800/D800E do exactly that, with cutting-edge image processing that injects vital energy into your images. Black is rendered as pitch black, and shadow details are subtle and rich. Even under harsh, high-contrast light, where some cameras can fail, the D800/D800E's gradation remains smooth with abundant detail and tone all the way up the scale to pure white.

Lateral chromatic aberration reduction: Take full advantage of your NIKKOR lens collection

High-megapixel sensors can really test the quality of your lenses, but you can be confident that the combination of brilliant NIKKOR lenses and Nikon's intelligent processing measures will significantly reduce lateral chromatic aberration to give you incredibly natural-looking results. Unlike other correction methods that simply eliminate chromatic aberration, Nikon's method compensates for these color differences in a resolving index for each color, making it particularly effective in producing images with stunning edge-to-edge sharpness. Moreover, because these corrections are made regardless of the NIKKOR lens used, this feature contributes substantially to achieving the sharpest images possible.

Advanced Scene Recognition System with 91K-pixel RGB sensor

Nikon's revolutionary Advanced Scene Recognition System, introduced with the flagship D4 camera, is also employed in the D800/D800E. At its core is a 91K-pixel RGB sensor that meticulously analyzes each scene with the fine resolution. The RGB sensor can recognize your scene's colors and brightness with unprecedented precision, then use that information to implement various automatic controls and give you more natural-looking results. The real breakthrough, however, is that the sensor can detect human faces with startling accuracy when shooting through the optical viewfinder. Along with face detection, detailed scene analysis is utilized to support more accurate autofocus, auto exposure and i-TTL flash exposure results in a diverse range of compositional and lighting situations. The improved subject tracking is most noticeable when using 3D-tracking, which can maintain a focus on moving subjects smaller in size than with previous generations.

More accurate face detection in auto-area AF and subject tracking in 3D-tracking

Auto-area AF and 3D-tracking are AF-area modes unique to Nikon that use your subject's color and brightness information to detect focus. With the D800/D800E and their more precise information and subject recognition advancements, expect big steps forward for both AF-area modes when taking high-quality still images. In auto-area AF, the camera can genuinely detect human faces and focuses on them immediately — useful when faces are a priority and there's no time to choose focus points. When using 3D-tracking, the sensor's fine resolution combines with a specifically optimized AF algorithm to realize unprecedented subject tracking precision, recognizing detailed patterns to keep your subject in sharp focus.

3D color matrix metering III for more accurate exposures

Professional photographers who shoot still images know that Nikon's metering system delivers supremely well-balanced exposures. Thanks to the 91K-pixel RGB sensor, the D800/D800E have far more detailed scene information at its disposal — including detected face information. This data helps the 3D color matrix metering III deliver more desirable auto exposures, especially when there are human faces present. When the D800/D800E detect a human face in a backlit situation, the camera determines the overall exposure while prioritizing the facial exposure, which might otherwise be underexposed. When a face is lit from the front and appears much brighter than the background, the camera recognizes the situation and avoids blowing out the facial details.

More balanced results in i-TTL balanced fill-flash and Active D-Lighting

Nikon's i-TTL system has long been considered the most accurate flash control system in photography, but now face detection and highlight analysis by the 91K-pixel RGB sensor pushes performance even further. With the D800/D800E's enhanced i-TTL balanced fill-flash, you can more precisely illuminate people's faces in relation to their surrounding brightness using either the built-in flash or an external hot-shoed Nikon Speedlight. For weddings and fashion shoots, or any photography that relies on the highest-quality still images, this new standard redefines what a flash system should be. Face detection also makes a difference when Active D-Lighting is used to retain highlights and shadows in high-contrast lighting situations. Faces will be optimally exposed both in the sun and in the shade.

Light source identification for auto white balance in still images

The D800/D800E's auto white balance is incredibly accurate in a diverse range of shooting situations, aided by unique Nikon technology that effectively identifies your light sources, both natural and artificial. With the 91K-pixel RGB sensor and the image sensor working together, the camera renders white as white with supreme accuracy. Or if you prefer, the auto white balance can be set to reflect the warmth of ambient, incandescent lighting.

Contribution to D-Movie shooting

The D800/D800E's Advanced Scene Recognition System enhances not only still image shooting but also various controls used in movie shooting. It identifies light sources and human faces finely, utilizing the high resolution of the image sensor to deliver accurate auto white balance and exposure control during movie shooting, and improves the precision of subject-tracking AF. Furthermore, it automatically detects flicker effects, and controls the exposure to reduce them.

Direct access to Picture Control that enables quick setting

Customize the look of your stills and videos through Picture Controls by fine-tuning parameters such as sharpening, saturation, and hue. The D800/D800E now allow you to access Picture Control instantly and directly from a dedicated button rather than entering the menu. When live view shooting, you can visually confirm how customized Picture Control settings will look and easily adjust the parameters.

D-Movie shooting functions

Full HD video quality and minimized rolling shutter effect: Dynamic movie shooting in diverse lighting situations

Many filmmakers, multimedia professionals and still photographers need the highly mobile, lightweight and compact form of a D-SLR in order to cover large events or make documentaries, music videos or movies. For these professionals, the D800/D800E are ready to create true cinematic experiences. By using the B frame data compression method, you can record 1080p Full HD video at 30p in H.264/MPEG-4 AVC format with unmatched moving image integrity for up to approx. 29 min. 59 s* of recording in a single clip. Thanks to Nikon's latest image-processing optimizations, the monumental power of 36.3 megapixels transforms to sharp, exquisitely rendered videos. Expect exceptionally smooth gradation in blue skies, with minimum block noise and beautifully natural movement rendered clearly and sharply. The D800/D800E's intelligent image sensor reads out movie images at faster rates than ever, significantly reducing the rolling shutter distortion that can occur during panning shots or when shooting fast-moving lateral subjects like trains. Thanks to EXPEED 3, your movies will take on a distinctive look of their own, even with dimly lit scenes. Combine these benefits and you'll begin to realize exactly the new creative opportunities possible for photographers and cinematographers alike.

Maximum recording time varies according to frame rate, frame size and image quality settings. Maximum recording time for time-lapse photography is 20 min.

Multi-area mode Full HD D-Movie: Creative movie-making freedom in FX- and DX-based formats

The D800/D800E are designed to stimulate cinematographers to explore different moods and perspectives by enabling Full HD and HD video recording in two frame formats; Nikon FX- and DX-based movie formats in just one camera. When using wide-aperture NIKKOR lenses, the large image area of the FX-based format* renders exquisitely shallow depth of field with beautiful bokeh effects. The DX-based format uses an image area similar to 35mm movie film, allowing cinematographers to shoot with picture angles that they are accustomed to. Having the advantage of two D-Movie formats in one camera and an arsenal of NIKKOR lenses makes the D800/D800E an incredibly versatile movie-making tool.

Smoother video recording under fluorescent or mercury lamps: Auto flicker reduction

With the D800/D800E, it is easier than ever to reduce flicker effects during live view and video recording. Simply use auto in the flicker reduction menu to automatically identify the flicker frequency at the beginning of live view and switch to the one that will work best. You can also manually switch between 50 Hz and 60 Hz.

Comprehensive high-fidelity audio recording control

The D800/D800E are designed for crisp stereo recording with a built-in external stereo microphone input. Attach the compact ME-1 Stereo Microphone to record clear sound while significantly reducing mechanical noise. An external headphone jack enables you to effectively monitor and control audio in isolation. While the audio level indicators offer visual confirmation of audio level, the microphone sensitivity can be controlled precisely in 20 incremental steps.

View simultaneous live view output on external monitors and record uncompressed video via HDMI

During movie shooting, you can now simultaneously check videos on an external monitor* using an HDMI connection, in addition to the camera's TFT monitor. And for those who need the purest video output for professional quality editing, you can now record uncompressed movie live view footage directly to an external storage device via HDMI interface.

When video is output through HDMI interface simultaneously with recording to a CF/SD card, output image through HDMI interface will be smaller than 1,280 x 720.

Time-lapse photography

Capture a variety of scenes and subjects at a breathtaking pace. The D800/D800E's time-lapse photography lets you set intervals and frame rates in order to dramatically relay slow-moving activity at dramatic speeds. The D800/D800E allow you to shoot time-lapse photography with replaying rates from 24 times to 36,000 times faster than normal. Time-lapse photography files can be saved as a movie file.

Note: Movie files of time-lapse photography will be saved in 16:9 aspect ratio. It is recommended to confirm image area in movie live view before starting time-lapse photography.

Versatile custom settings for D-Movie

The D800/D800E have addressed useful feedback from videographers with convenient custom controls for D-Movie operation. Instead of rotating the command dial, power aperture enables smoother aperture controls during movie live view using a button designated via custom menu, which can be very convenient to confirm depth of field. Index marking helps you locate important frames for later-stage in-camera editing and replay by attaching markers during movie recording. Markings are indicated along with the progress bar, which is easy to confirm visually.

Movie Specifications superbuy:XME1415

Image size (pixel)/frame rate	Maximum bit rate (high/normal quality)	Maximum recording time
1,920 x 1,080/30p	24 Mbps/12 Mbps	29 min. 59 s
1,920 x 1,080/25p
1,920 x 1,080/24p
1,280 x 720/60p
1,280 x 720/50p
1,280 x 720/30p	12 Mbps/8 Mbps
1,280 x 720/25p

Still image shooting functions

Advanced Multi-CAM 3500FX autofocus sensor module for razor-sharp detection in low light

Accurate AF detection is crucial for extremely high-resolution still images in every situation. The 51 sensor points in the D800/D800E’s AF sensor module work down to -2 EV (ISO 100, 20°C/68°F), the approximate physical limit of human visibility through an optical viewfinder. For even more powerful detection, you can rely on the camera’s 15 crosstype sensors in the center to detect both vertical and horizontal lines when using any AF NIKKOR lenses of f/5.6 or faster. What’s more, AF can be activated with eleven focus points in the center with open aperture of f/8*, which is a big plus when you combine a telephoto lens with a 2.0x teleconverter to shoot distant subjects.

Cross-type sensor is limited to the center AF point only. AF may not be achieved in lowcontrast or low-light conditions.

Available focus points according to aperture

Versatile AF-area modes

Whether it's a still life, a portrait, a landscape or a candid street scene, your subject matter varies, but its importance doesn't. That's why the D800/D800E offer four AF-area modes, each specifically tailored to adapt to various subjects. Single-point AF is ideal when you need pinpoint focus on stationary subjects. Dynamic-area AF has three options (9-point, 21-point and 51-point) and is ideal for shooting moving subjects. The selected AF point and the surrounding points keep your subject in sharp focus even if it briefly leaves the selected points. 3D-tracking allows you to maintain focus on subjects that are moving erratically from side to side. Auto-area AF detects human faces and prioritizes their sharpness for you — an ideal choice for candid photography.

Choosing AF mode and AF-area mode combinations

Control your desired AF mode (continuous or single servo) and AF-area mode (single-point, dynamic-area, 3D-tracking or auto-area AF) without ever taking your eye away from the viewfinder. By using a dedicated AF-mode button and command dials, you can switch between modes without interrupting your creative flow.

Glass prism optical viewfinder with approximately 100% frame coverage

See every important element in your frame clearly and precisely. The D800/D800E offer approx. 100% frame coverage (in FX format) from its slim pentaprism, giving you the visually comfortable FX-format advantage and an unobstructed view when shooting still images. The viewfinder image is not only large and bright — the focusing screen is also carefully designed to help you sense sharp focus intuitively, be it manual or autofocus.

High-precision, high-durability shutter

The D800/D800E's shutter unit has been tested to well over 200,000 cycles of release to prove durability and precision. While the shutter unit designed to run at a speed range of 1/8,000 to 30 s, its intelligent self-diagnostic shutter monitor automatically monitors actual shutter speeds in order to correct possible variances that can occur over time.

High-precision sequential control mechanism

For true digital SLR excellence, the camera's mechanical structure, power and precision are vital to ensure indispensable speed and reliability. That's why Nikon utilized its engineering expertise to refine the powerful sequential control mechanism that drives the shutter, mirror, and aperture independently. As a result, shutter release can be operated with mirror-up position during live view. Because mirror-down movement is not required, you can expect even quieter still live view shooting. And as power aperture control operates via the stepping motor, the sound of mechanical adjustment is reduced for quieter and smoother control.

Active D-Lighting that reproduces brightness as you see it

Active D-Lighting preserves details in both highlights and shadowy areas of high-contrast scenes. Color reproduction is improved thanks to the image-processing engine EXPEED 3, and exposure control considering face brightness is achieved by the enhanced face detection performance of Advanced Scene Recognition System.

Expand dynamic range: HDR (High Dynamic Range)

The D800/D800E can shoot two frames in a single shutter release, but at different exposures: one overexposed and one underexposed. The camera then instantly combines them to create an image covering a wider dynamic range. The range can be widened by up to 3 EV for different looks, all full of saturation and tonal gradation, while the smoothness of the edge where the two exposures meet can be adjusted for a more natural appearance.

Note: Tripod use is recommended.

Fast response time

The D800/D800E are designed to respond immediately. Once the strategically located switch is turned on, the camera starts up in approx. 0.12 seconds* and your finger is in position for shutter release. Release time lag is minimized to approx. 0.042 seconds*, equivalent to that of the D3S, with continuous approx. 4 fps capability in FX format, approx. 5 fps in 1.2x and DX format and approx. 6 fps capability in DX format** with MB-D12.

• Based on CIPA Guidelines.
• When used together with batteries other than EN-EL15.

Shoot achieving reduced blur with zoom lenses in dim light: Auto shutter speed control for auto ISO sensitivity control

The D800/D800E come equipped with an auto option for minimum shutter speed that automatically controls the balance between shutter speed and the ISO sensitivity based on the focal length of the lens being used. This can be particularly useful when using a zoom lens, because the camera can automatically choose the shutter speed to reduce camera shake. What's more, through the operation of ISO button and sub-command dial, auto ISO sensitivity control can be immediately turned on or off, without needing to enter the menu.

Shoot with multiple formats in one camera: Image area options

The D800/D800E offer four image area options: FX format (35.9 x 24.0 mm), 5:4 (30.0 x 24.0 mm), 1.2x (30.0 x 19.9 mm), and DX format (23.4 x 15.6 mm) with all cropped image areas visually masked in the viewfinder. DX format offers approx. 1.5x, and 1.2x crop offers approx.1.2x telephoto effect. When a DX NIKKOR lens is used, DX format is automatically selected.

Get studio quality lighting virtually anywhere

Fast, versatile and portable, with Nikon Speedlights in your hands, your lighting possibilities are endless. The difference is a level of accuracy and flexibility that only the Nikon Creative Lighting System delivers. Its advantages are best experienced via Advanced Wireless Lighting. Using high-precision i-TTL flash control with strategic, intuitive operations, you can make lighting as powerful and comprehensive as your imagination can take it. Whether you shoot in the studio or in far-flung locations, there is a Nikon Speedlight solution to inspire your creativity.

Unparalleled lighting performance — SB-910 Speedlight

Nikon's SB-910 offers versatile i-TTL for on-camera or wireless flash control, a refined operability and a powerful guide number of 34/111.5 (ISO 100, m/ft, STD, FX format with zoom head set at 35mm). The SB-910's menus and controls have been improved for more operational ease. When a hard-type incandescent or fluorescent color filter is attached, the SB-910 detects it and adjusts white balance instantly.

Capture NX 2 (optional): Optimal for processing images taken with the D800/D800E

To accommodate the imaging power of the D800/D800E's 36.3 effective megapixels, the latest Capture NX 2 now features powerful 64-bit processing. Capture NX 2 drastically simplifies an array of image enhancement procedures, letting you concentrate on making your pictures the best they can be. Instead of complicated layering and memorization, simply place a Color Control Point wherever you want to reprocess. Color Control Points use intuitive slider controls to make quick and easy adjustments to image characteristics such as brightness, contrast, saturation and tones. Change, adjust and experiment all you like, safe in the knowledge that all changes are non-destructive and an original always remains intact.

Still images/Movies common features

Precision 8-cm (3.2-in.), approx. 921k-dot, wide-viewing-angle LCD monitor with automatic monitor brightness control

The D800/D800E's large and sharp color LCD monitor delivers bright, crisp image playback with a much larger capacity for accurate color reproduction. Using an antireflective structure, you can count on clarity equal to that of the D4, even under bright conditions. Moreover, if monitor brightness is set to "Auto", the camera automatically adjusts LCD brightness according to the environmental lighting conditions measured by the ambient brightness sensor, allowing easy use of live view in both bright and low-lit places — very useful when shooting video and stills. The ability to magnify playback images up to 46x (Large-size images in FX format) is extremely helpful for spot focus confirmation.

LCD monitor with an integrated structure of glass and panel realizes a clearer image

Contrast-detect AF that enables sharp focusing

During live view and movie recording, contrast-detect AF is available for sharp focusing. Selectable AF servo modes include single-servo AF (AF-S) suitable for still image shooting, and full-time servo AF (AF-F) for movie shooting. Also, from four AF-area modes, you can select the most appropriate mode according to your subject. Contrast-detect AF allows you to focus anywhere within a frame to expand your creative freedom.

AF-area modes

Face-priority AF

Suitable for focusing on a person's face such as for a commemorative photo. Up to 35 faces can be detected. When multiple faces are detected, the camera will focus on that recognized to be the closest. Alternatively, you can choose a different face in the frame with the multi selector.

Wide-area AF

For hand-held shooting of landscape shots. AF area can be moved to the desired position within a frame.

Normal-area AF

Ideal for tripod shooting to achieve a pin-point focus in close-up shots. AF area can be moved to the desired position within a frame.

Subject-tracking AF

Suitable for a moving subject. After focus is locked with the center button of the multi selector, AF area tracks the subject's movement.

Live view selector for optimized still images and movies

The D800/D800E's live view operation has evolved even further, optimizing camera control to become more intuitive for shooting video as well as still images. Simply clicking the live view selector switches between live view modes designed specifically for still images or movies. Live view photography lets you shoot still images while confirming the exposure level on the LCD monitor*. You can even magnify images up to approx. 23x to check the exact focus. For movie live view on the other hand, the D800/D800E incorporate a dedicated exposure control for quality video shooting, enabling smooth exposure transition when shooting moving subjects. You can also shoot video with full manual control. When needed, press the shutter-release button while filming to instantly capture still images in 16:9 aspect ratio. Each time you use live view, for either still photography or movie shooting, your image area and camera setting information will be clearly indicated, allowing you to confirm quickly.

Exposure preview display and resulting image may vary, depending on the settings used.

Accurate confirmation of level shooting: Dual-axis electronic virtual horizon

With the D800/D800E, you can always check the LCD monitor or the viewfinder for both the camera's position in relation to the horizontal plane and its pitch (forward or rear rotation). This can enhance compositional accuracy, particularly when shooting still lifes, landscapes and architecture.

Lightweight yet durable construction

Many important parts of the D800/D800E have been designed to achieve better durability and lighter weight. The result is a camera approx. 10% lighter than the D700, yet just as rugged. A magnesium alloy construction protects the sophisticated technologies against accidental shock, and weather and dust sealing has been extensively applied and severely tested, making the D800/D800E as reliable on the road as it is in the studio.

High-speed CF and SD dual card slots

Card recording speed is yet another crucial element of a smooth and productive shooting experience. The D800/D800E CF memory card slot is compatible with the latest UDMA 7. The SD card slot is compatible with SDXC (Secure Digital eXtended Capacity) and UHS-I. You can also use two cards simultaneously for a number of functions, such as recording JPEG and RAW data on separate cards, recording the same data simultaneously on two cards for backup and more.

Memory card capacity

The following table shows the approximate number of pictures that can be stored an 8 GB Toshiba R95 W80MB/s UHS-I SDHC card at different image quality, image size, and image area settings.

SD memory cards

Image quality	Image size	File size		No. of images		Buffer capacity
		FX (36x24)	DX (24x16)	FX (36x24)	DX (24x16)	FX (36x24)	DX (24x16)
NEF (RAW), Lossless compressed, 12-bit	-	32.4 MB	14.9 MB	133	303	21	38
NEF (RAW), Lossless compressed, 14-bit	-	41.3 MB	18.6 MB	103	236	17	29
NEF (RAW), Compressed, 12-bit	-	29.0 MB	13.2 MB	182	411	25	54
NEF (RAW), Compressed, 14-bit	-	35.9 MB	16.2 MB	151	343	20	41
NEF (RAW), Uncompressed, 12-bit	-	57.0 MB	25.0 MB	133	303	18	30
NEF (RAW), Uncompressed, 14-bit	-	74.4 MB	32.5 MB	103	236	16	25
TIFF (RGB)	L M S	108.2 MB 61.5 MB 28.0 MB	46.6 MB 26.8 MB 12.5 MB	71 126 277	165 289 616	16 18 26	21 26 41
JPEG fine	L M S	16.3 MB 10.4 MB 5.2 MB	8.0 MB 5.1 MB 2.7 MB	360 616 1200	796 1200 2300	56 100 100	100 100 100
JPEG normal	L M S	9.1 MB 5.3 MB 2.6 MB	4.1 MB 2.6 MB 1.4 MB	718 1200 2400	1500 2500 4600	100 100 100	100 100 100
JPEG basic	L M S	4.0 MB 2.7 MB 1.4 MB	2.0 MB 1.3 MB 0.7 MB	1400 2400 4800	3000 5000 8900	100 100 100	100 100 100

1. Includes images taken with non-DX lenses when On is selected for Auto DX crop.
2. All figures are approximate. File size varies with scene recorded.
3. Maximum number of exposures that can be stored in memory buffer at ISO 100. Drops if optimal quality is selected for JPEG compression, ISO sensitivity is set to Hi 0.3 or higher, High ISO NR is on when auto ISO sensitivity control is on or ISO sensitivity is set to ISO 1600 or higher, or long exposure noise reduction, Active D-Lighting, or auto distortion control is on.
4. Figures assume JPEG compression is set to Size priority. Selecting optimal quality increases the file size of JPEG images; number of images and buffer capacity drop accordingly.
5. Includes images taken with DX lenses when On is selected for Auto DX crop.

Improvements around the shutter-release button

Angle, shape, contour, and texture: all of these design facets came into play when crafting the D800/D800E's shutter-release button. Your index finger can rest comfortably for longer periods of time, allowing you to concentrate when it matters, while the designated movie-record button means you're ready to trigger movie shooting in an instant.

Refined color temperature control: Minute control over white balance

The D800/D800E's white balance proves its reliability even when using an external flash and live view in the studio environment. The monitor hue of live view and resulting image's white balance can be individually set so that the difference between the two is minimized. Furthermore, for even more control, color temperature can be manually set in 10-kelvin increments or in mired units.

High-speed data transfer with USB 3.0

For a more productive tethered and transfer workflow, the D800/D800E are compatible with USB 3.0. When connected to equipment featuring USB 2.0, speed is reduced to that of USB 2.0.

Retouch menu options: In-camera editing

Captured images and movies can be altered and edited in-camera and on the fly if required, all without the need to resort to a computer. Retouch menus include an array of useful features such as NEF (RAW) processing, resize, distortion control, fisheye, miniature effect, red-eye correction, filter effects and image overlay, as well as the ability to designate the start and end point of movie clips all at once, in order to save them more efficiently.

Retouch menus incorporated in the D800/D800E

• D-Lighting • Red-eye correction • Trim (3:2, 4:3, 5:4, 16:9 and 1:1) • Monochrome (Black-and-white, Sepia and Cyanotype) • Filter effects (Skylight, Warm filter, Red/Green/Blue intensifier, Cross screen and Soft)

• Color balance • Image overlay • NEF (RAW) processing • Resize • Quick retouch • Straighten • Distortion control • Fisheye • Color outline • Color sketch • Perspective control • Miniature effect • Selective color • Edit movie (Choose start/end point, Save selected frame)

Efficient power management

A comprehensive re-working of the D800/D800E's circuits now enables approx. 900 shots* of still image shooting. All on one charge of an EN-EL15 Rechargeable Li-ion Battery.

Based on CIPA Standards.

MB-D12 Multi-Power Battery Pack (optional)

Attach the MB-D12 to the camera body to extend battery stamina. The pack accommodates a variety of batteries (see Specifications superbuy:XME1415) and utilizes the same integral magnesium alloy construction and weather sealing as the D800/D800E body itself. You also get approx. 6 fps continuous shooting speed* in DX format. The MB-D12 has its own dedicated shutter-release button and command dials for vertical composition shooting.

When using batteries other than EN-EL15 Rechargeable Li-ion Battery.

Sample figures for the camera and optional MB-D12 Multi-Power Battery Pack are given below. Based on CIPA Standards

Battery	Number of shots
One EN-EL15 Rechargeable Li-ion Battery (camera)	Approx. 900 shots
One EN-EL15 Rechargeable Li-ion Battery (MB-D12)	Approx. 900 shots
One EN-EL18 Rechargeable Li-ion Battery (MB-D12)	Approx. 1,400 shots
Eight R6/AA-size alkaline batteries (MB-D12)	Approx. 1,000 shots

Measured at 23°C/73.4°F (±2°C/3.6°F) with an AF-S NIKKOR 24-120mm f/4G ED VR lens under the following test conditions: lens cycled from infinity to minimum range and one photograph taken at default settings once every 30 s; flash fired once every other shot. Live view not used.

Note: The number of shots that can be taken with fully-charged batteries varies with the condition of the battery, temperature, and how the camera is used. In the case of R6/AA-size alkaline batteries, capacity also varies with make and storage conditions; some batteries can not be used.

The defining strength to match outstanding resolution for stills and videos

To best draw out the full potential that a 36.3 megapixel camera can offer, lens quality is of vital importance. Even subtle differences in optical performance make a difference when utilizing such a large pixel count. NIKKOR empowers photographers and cinematographers in every field, allowing them to better see the essence of their vision and render it as sharp as possible without sacrificing delicate tones or nuance. From f/1.4 primes to fast f/2.8 zooms to f/4 zooms with VR, the latest line of NIKKOR lenses — many loaded with the renowned Nano Crystal Coat — is fully optimized to deliver the image quality the Nikon D800/D800E truly deserve. Moreover, DX lenses can also be used for the D800/D800E: simply attach one and the camera automatically recognizes it and sets the required crop.

ViewNX 2: Browse, edit, share and more

This bundled, all-in-one software implements an easy-to-use interface for all your photos and movies. Take advantage of an array of editing functions, including basic editing of RAW files and even D-Movies. ViewNX 2 also works effortlessly with Nikon's photo-sharing and storage service, my Picturetown, with labels to help you find that special photo quickly and easily.

Camera Control Pro 2 (optional): Extremely versatile remote camera controls

For those that want to operate their camera via computer, Camera Control Pro 2 lets you control camera settings and various features from a distance. Aside from controlling exposure mode, shutter speed, and aperture, the software now offers numerous improvements to make the D800/D800E's live view operation exceptionally smooth. Creative control opportunities include remote start and stop for movie shooting and switching between live view for stills and movies. You can also adjust the monitor hue of live view photography and the resulting image's white balance individually, which can be quite helpful when working in the studio. You can also display audio level indicators during movie shooting. And with the optional WT-4A/B/C/D/E Wireless Transmitter, image files can be transferred using either Wi-Fi or an Ethernet connection.

WT-4A/B/C/D/E Wireless Transmitter

WT-4A/B/C/D/E Wireless Transmitter supports IEEE 802.11a/b/g wireless connections, as well as wired 10BASE-T and 100BASE-TX connections. And it can transmit taken image and movie data from a USB-connected D800/D800E to a computer wirelessly. Thumbnail Selector software supplied with the WT-4A/B/C/D/E allows sending just thumbnail images saved in the built-in memory of the WT-4A/B/C/D/E to a computer of on-site editors. Editors can select images they need from the thumbnail images and transmit the complete data of only their selection to a computer to realize significantly higher efficiency of the workflow. Thumbnail images taken with up to five cameras can be displayed on a computer at one time — especially useful for photographers working as a team.

Specifications superbuy:XME1415

Type
Type	Single-lens reflex digital camera
Lens mount	Nikon F mount (with AF coupling and AF contacts)
Effective pixels
Effective pixels	36.3 million
Image sensor
Image sensor	35.9 x 24.0 mm CMOS sensor (Nikon FX format)
Total pixels	36.8 million
Dust-reduction System	Image sensor cleaning, Image Dust Off reference data (requires optional Capture NX 2 software)
Storage
Imagesize (pixels)	FX (36 x 24) image area: 7,360 x 4,912 (L), 5,520 x 3,680 (M), 3,680 x 2,456 (S)1.2x (30 x 20) image area: 6,144 x 4,080 (L), 4,608 x 3,056 (M), 3,072 x 2,040 (S)DX (24 x 16) image area: 4,800 x 3,200 (L), 3,600 x 2,400 (M), 2,400 x 1,600 (S)5 : 4 (30 x 24) image area: 6,144 x 4,912 (L), 4,608 x 3,680 (M), 3,072 x 2,456 (S)FX-format photographs taken in movie live view: 6,720 x 3,776 (L), 5,040 x 2,832 (M), 3,360 x 1,888 (S)DX-format photographs in movie live view: 4,800 x 2,704 (L), 3,600 x 2,024 (M), 2,400 x 1,352 (S)Note: Photographs taken in movie live view have an aspect ratio of 16 : 9. A DX-based format is used for photographs taken using the DX (24 x 16) 1.5x image area; an FX-based format is used for all other photographs.
File format	NEF (RAW): 12 or 14 bit, lossless compressed, compressed, or uncompressed TIFF (RGB) JPEG: JPEG-Baseline compliant with fine (approx. 1 : 4), normal (approx. 1 : 8), or basic (approx. 1 : 16) compression (Size priority); Optimal quality compression available NEF (RAW)+JPEG: Single photograph recorded in both NEF (RAW) and JPEG formats
Picture Control System	Can be selected from Standard, Neutral, Vivid, Monochrome, Portrait, Landscape; selected Picture Control can be modified; storage for custom Picture Controls
Media	SD (Secure Digital) and UHS-I compliant SDHC and SDXC memory cards; Type I CompactFlash memory cards (UDMA compliant)
Dual card slots	Either card can be used for primary or backup storage or for separate storage of NEF (RAW) and JPEG images; pictures can be copied between cards.
File system	DCF (Design Rule for Camera File System) 2.0, DPOF (Digital Print Order Format), Exif (Exchangeable Image File Format for Digital Still Cameras) 2.3, PictBridge
Viewfinder
Viewfinder	Eye-level pentaprism single-lens reflex viewfinder
Frame coverage	FX (36 x 24): Approx. 100% horizontal and 100% vertical 1.2x (30 x 20): Approx. 97% horizontal and 97% vertical DX (24 x 16): Approx. 97% horizontal and 97% vertical 5:4 (30 x 24): Approx. 97% horizontal and 100% vertical
Magnification	Approx. 0.7 x (50 mm f/1.4 lens at infinity, -1.0 m-1)
Eyepoint	17 mm (-1.0 m-1; from center surface of viewfinder eyepiece lens)
Diopter adjustment	-3 -+1 m-1
Focusing screen	Type B BriteView Clear Matte Mark VIII screen with AF area brackets and framing grid
Reflex mirror	Quick return
Depth-of-field preview	When depth-of-field preview button is pressed, lens aperture is stopped down to value selected by user (A and M modes) or by camera (P and S modes)
Lens aperture	Instant return, electronically controlled
Lens
Compatible lenses	Compatible with AF NIKKOR lenses, including type G and D lenses (some restrictions apply to PC Micro-NIKKOR lenses) and DX lenses (using DX 24 x 16 1.5x image area), AI-P NIKKOR lenses, and non-CPU AI lenses (exposure modes A and M only). IX NIKKOR lenses, lenses for the F3AF, and non-AI lenses can not be used. The electronic rangefinder can be used with lenses that have a maximum aperture of f/5.6 or faster.
Shutter
Type	Electronically-controlled vertical-travel focal-plane shutter
Speed	1/8000 - 30 s in steps of 1/3, 1/2, or 1 EV, bulb, X250
Flash sync speed	X=1/250 s; synchronizes with shutter at 1/320 s or slower (flash range drops at speeds between 1/250 and 1/320 s)
Release
Release mode	Single frame, Continuous low speed, Continuous high speed, Quiet shutter-release, Self-timer, Mirror up
Approximate frameadvance rate	With EN-EL15 batteries - Image area: FX/5 : 4; CL: 1-4 fps, CH: 4 fps - Image area: DX/1.2x; CL: 1-5 fps, CH: 5 fpsOther power sources - Image area: FX/5 : 4; CL: 1-4 fps, CH: 4 fps - Image area: 1.2x; CL: 1-5 fps, CH: 5 fps - Image area: DX; CL: 1-5 fps, CH: 6 fps
Self-timer	2 s, 5 s, 10 s, 20 s; 1-9 exposures at intervals of 0.5, 1, 2, or 3 s
Exposer
Metering	TTL exposure metering using 91K (91,000)-pixel RGB sensor
Metering method	Matrix: 3D color matrix metering III (type G and D lenses); color matrix metering III (other CPU lenses); color matrix metering available with non-CPU lenses if user provides lens data Center-weighted: Weight of 75% given to 12 mm circle in center of frame. Diameter of circle can be changed to 8, 15, or 20 mm, or weighting can be based on average of entire frame (non-CPU lenses use 12-mm circle or average of entire frame) Spot: Meters 4 mm circle (about 1.5% of frame) centered on selected focus point (on center focus point when non-CPU lens is used)
Range (ISO 100, f/1.4 lens, 20 °C/68 °F)	Matrix or center-weighted metering: 0-20 EV Spot metering: 2-20 EV
Exposure meter coupling	Combined CPU and AI
Exposure mode	Programmed auto with flexible program (P); shutter-priority auto (S); aperture-priority auto (A); manual (M)
Exposure compensation	-5 -+5 EV in increments of 1/3, 1/2, or 1 EV
Exposure bracketing	2-9 frames in steps of 1/3, 1/2, 2/3, or 1 EV
Flash bracketing	2-9 frames in steps of 1/3, 1/2, 2/3, or 1 EV
Whitebalance bracketing	2-9 frames in steps of 1, 2, or 3
ADL bracketing	2 frames using selected value for one frame or 3-5 frames using preset values for all frames
Exposure lock	Luminosity locked at detected value with AE-L/AF-L button
ISOsensitivity (Recommended Exposure Index)	ISO 100 - 6400 in steps of 1/3, 1/2, or 1 EV. Can also be set to approx. 0.3, 0.5, 0.7, or 1 EV (ISO 50 equivalent) below ISO 100 or to approx. 0.3, 0.5, 0.7, 1, or 2 EV (ISO 25600 equivalent) above ISO 6400; auto ISO sensitivity control available
Active D-Lighting	Can be selected from Auto, Extra high, High, Normal, Low, or Off
Focus
Autofocus	Nikon Advanced Multi-CAM 3500FX autofocus sensor module with TTL phase detection, fine-tuning, 51 focus points (including 15 cross-type sensors), and AF-assist illuminator (range approx. 0.5-3 m/1 ft 8 in.-9 ft 10 in.)
Detection range	-2 -+19 EV (ISO 100, 20 °C/68 °F)
Lens servo	Autofocus (AF): Single-servo AF (AF-S); continuous-servo AF (AF-C); predictive focus tracking automatically activated according to subject status Manual focus (M): Electronic rangefinder can be used
Focus point	Can be selected from 51 or 11 focus points
AF-area mode	Single-point AF, 9-, 21-, or 51- point dynamic-area AF, 3D-tracking, auto-area AF
Focus lock	Focus can be locked by pressing shutter-release button halfway (single-servo AF) or by pressing AE-L/AF-L button
Flash
Built-in flash	Manual pop-up with button release and a Guide Number of 12/39, 12/39 with manual flash (m/ft, ISO 100, 20 °C/68 °F)
Flash control	TTL: i-TTL flash control using 91K (91,000)-pixel RGB sensor is available with built-in flash and SB-910, SB-900, SB-800, SB-700, SB-600, or SB-400; i-TTL balanced fill-flash for digital SLR is used with matrix and center-weighted metering, standard i-TTL flash for digital SLR with spot metering
Flash mode	Front curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, slow rear-curtain sync; Auto FP High-Speed Sync supported
Flash compensation	-3 -+1 EV in increments of 1/3, 1/2, or 1 EV
Flash-ready indicator	Lights when built-in flash or optional flash unit is fully charged; blinks for 3 s after flash is fired at full output
Accessory shoe	ISO 518 hot-shoe with sync and data contacts and safety lock
Nikon Creative Lighting System (CLS)	Advanced Wireless Lighting supported with built-in flash, SB-910, SB-900, SB-800, or SB-700 as a master flash and SB-600 or SB-R200 as remotes, or SU-800 as commander; built-in flash can serve as master flash in commander mode; Auto FP High-Speed Sync and modeling illumination supported with all CLS-compatible flash units except SB-400; Flash Color Information Communication and FV lock supported with all CLS-compatible flash units
Sync terminal	ISO 519 sync terminal with locking thread
White balance
White balance	Auto (2 types), incandescent, fluorescent (7 types), direct sunlight, flash, cloudy, shade, preset manual (up to 4 values can be stored), choose color temperature (2500 K-10000 K), all with fine-tuning.
Live View
Modes	Live view photography (still images), movie live view (movies)
Lens servo	Autofocus (AF): Single-servo AF (AF-S); full-time servo AF (AF-F) Manual focus (M)
AF-area mode	Face-priority AF, wide-area AF, normal-area AF, subject-tracking AF
Autofocus	Contrast-detect AF anywhere in frame (camera selects focus point automatically when face-priority AF or subject-tracking AF is selected)
Movie
Metering	TTL exposure metering using main image sensor
Frame size (pixels) and frame rate	1,920 x 1,080; 30 p (progressive), 25 p, 24 p1,280 x 720; 60 p, 50 p, 30 p, 25 pActual frame rates for 60 p, 50 p, 30 p, 25 p, and 24 p are 59.94, 50, 29.97, 25, and 23.976 fps respectively; options support both high and normal image quality
File format	MOV
Video compression	H.264/MPEG-4 Advanced Video Coding
Audio recording format	Linear PCM
Audio recording device	Built-in monaural or external stereo microphone; sensitivity adjustable
Movie options	Index marking, time-lapse photography
Monitor
Monitor	8-cm/3.2-in., approx. 921k-dot (VGA) TFT LCD with 170 ° viewing angle, approx. 100% frame coverage, and automatic monitor brightness control using ambient brightness sensor
Playback
Playback	Full-frame and thumbnail (4, 9, or 72 images) playback with playback zoom, movie playback, photo and/or movie slide shows, highlights, histogram display, auto image rotation, and image comment (up to 36 characters)
Interface
USB	SuperSpeed USB (USB 3.0 Micro-B connector)
HDMI output	Type C mini-pin HDMI connector; can be used simultaneously with camera monitor
Audio input	Stereo mini-pin jack (3.5mm diameter)
Audio output	Stereo mini-pin jack (3.5mm diameter)
Ten-pin remote terminal	Can be used to connect optional remote control, GP-1 GPS unit, or GPS device compliant with NMEA0183 version 2.01 or 3.01 (requires optional MC-35 GPS adapter cord and cable with D-sub 9-pin connector)
Supported languages
Supported languages	Arabic, Chinese (Simplified and Traditional), Czech, Danish, Dutch, English, Finnish, French, German, Indonesian, Italian, Japanese, Korean, Norwegian, Polish, Portuguese, Romanian, Russian, Spanish, Swedish, Thai, Turkish, Ukrainian
Power Source
Battery	One rechargeable Li-ion EN-EL15 battery
Battery pack	Optional MB-D12 multi-power battery pack with one rechargeable Nikon EN-EL15 Li-ion battery or eight AA alkaline, Ni-MH, or lithium batteries.
AC adapter	EH-5b AC adapter; requires EP-5B power connector (available separately)
Tripod socket
Tripod socket	1/4 in. (ISO 1222)
Dimensions Weight
Dimensions (W x H x D)	Approx. 146 x 123 x 81.5 mm (5.7 x 4.8 x 3.2 in.)
Weight	Approx. 1,000 g (2 lb 3.3 oz) with battery and SD memory card but without body cap; approx. 900 g/1 lb 15.7 oz (camera body only)
Operating Environment
Temperature	0-40 °C (+32-104 °F)
Humidity	Less than 85% (no condensation)
Supplied accessories
Supplied accessories	EN-EL15 rechargeable Li-ion battery with terminal cover, MH-25 battery charger (AC wall adapter supplied only in countries or regions where required), Strap (AN-DC6 for D800, AN-DC6E for D800E), UC-E14 USB cable, USB cable clip, BF-1B body cap, BS-1 accessory shoe cover, BM-12 monitor cover, ViewNX 2 installer CD

Gallery Images